The Sunday Magazine: The Mandalorian

Star Wars holds a special place to me. If you’ve read this column you know that. I have enjoyed the recent movies a lot. To me Star Wars is about good people trying to do the right thing. At its best it is when a couple of plucky outsiders find a way to take down a large target. I’ve always felt the subtext of George Lucas’ galaxy far, far away is that one good person can make a difference.

Which was why as I watched the promotional trailers in advance of the new streaming series “The Mandalorian” I thought this might not be for me. Everyone associated with it had fanned out to conventions and tv interviews to talk about how this was a “grittier” Star Wars. I read, or heard, that as more violent, less white-hat-black hat, with lots of shades of gray.

For almost the entirety of the first episode that seemed like the show we were getting. We were introduced to The Mandalorian as he captures one of his marks for the bounty hunter guild, he is part of. When he comes back to the headquarters of the guild in time-tested fashion, he is given the bounty too difficult for others. He heads out to find his quarry. When he gets to the final scene where he finds what he is looking for; he and the audience share the surprise. Waiting for him is a baby version of the race Yoda belonged to. If you’ve seen memes on your social media with “baby Yoda” this is where it came from. As far as the series is concerned the youngster is called “The Child.

Right there the gritty edgy version of Star Wars snapped back to the good guys versus the bad guys. Over the next seven episodes The Mandalorian protects The Child. The series is classic genre storytelling out of spaghetti westerns. The two men responsible for it are Jon Favreau and Dave Filoni.

There are many callbacks to the westerns of yesterday set in space. The first episode features a futuristic hacienda designed just like the one Clint Eastwood infiltrated in “A Fistful of Dollars”. Episode 2 lifts a piece out of one of the first Star Wars video games. One episode is the old gunslinger versus the new kid. Another is a jailbreak. All of it surrounded by the growing bond between the bounty hunter and the child.

That relationship adds an emotional tug I wasn’t expecting. It has similarities to a graphic novel called “Lone Wolf and Cub” by Frank Miller. In both stories the tough warrior learns there is more to life than just conflict through parenthood.

By the end The Mandalorian has accepted the responsibility for The Child setting the stage for season 2. I am so happy that even a Star Wars with a bounty hunter at its center is still a Star Wars where the good guys win.

Mark Behnke

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