Jardins D’Ecrivains translates to Garden of Authors. Anais Biguine has collected six authors since the creation of her line in fall of 2012. I have really enjoyed her interpretation of literary figures especially the last two releases Orlando and Junky. Both of those took a very modern approach to their construction which made them stand out from the first four releases which had a bit more of a classical feeling to them which matched their literary inspiration. For the newest release Marlowe it looks like Mme Biguine wanted to find a middle ground between the two.
A Supposed Portrait of Christopher Marlowe c.1585- Artist Unknown
Christopher Marlowe was a contemporary of William Shakespeare during the Elizabethan Era. His best known play is Doctor Faustus. His life was cut short as he dies of a stabbing just after his twenty-ninth birthday. Those are the facts of his life which are broadly agreed upon. If it ended there Mme Biguine would probably not be putting his name on a bottle of perfume. Mr. Marlowe lived a life of many unconfirmed layers. He was rumored to be the actual writer of some of Shakespeare’s plays. There was talk he was a spy for the Crown. The circumstances of his death were maybe caused by a cuckolded husband or a jilted love, perhaps both. Or as an outspoken atheist perhaps the church did him in. What is speculated is much more fascinating than what is known. It is this mix of innuendo that Mme BIguine captures in Marlowe.
Marlowe opens with a scrubbed clean tuberose. I am exhausted at the amount of times this polite tuberose has found its way into the latest perfumes. Thankfully Mme Biguine doesn’t just let it sit there she pairs osmanthus and elemi with it. The osmanthus has a bit of a battle in the early going to gain some ground against the tuberose but once it does the apricot facet forms a rich fruity floral accord. Elemi provides a lightly wooded lemony nuance to the tuberose and osmanthus. This is one of the few new fragrances I’ve tried with the cheerier tuberose which doesn’t feel like it just sits there wanting to be admired. The osmanthus really provides a lively partnership for it. They are so lively that they fairly trample the bit of myrrh that shows up in the heart. It is as fleeting as a matador’s cape and there is a slow amplification of the floralcy throughout the middle stage of development. The base is where Mme Biguine returns to her mix of white musks she used so successfully in Orlando. Here it washes away the florals in preparation for a leather accord which is greatly softened by the musks. A bit of oakmoss and labdanum provide a bit more steel to the base notes leaving Marlowe on a chypre-like final act.
Marlowe has 8-10 hour longevity and average sillage.
I really enjoyed the middle ground Marlowe carved out for itself. While it reminded me of all that has come before from Mme Biguine’s literary garden it is enough of its own creation to find its own solitary patch of sunlight.
Disclosure: This review was based on a bottle of Marlowe provided by Jardins D’Ecrivains at Esxence 2015.