New Perfume Review Gabriella Chiefffo Maisia- Ashy Shadows

One of the most pleasant things about writing about perfume is watching young perfumers grow. Right now in the independent niche sector there is a group of these artists I think of as Young Guns. At this stage of their career they are working with young brands which allow them to think a bit out of the box. Sometimes that thinking can lead to something unfocused. The perfumers I put in this category have all learned from those lesser efforts. Thankfully it doesn’t make them retreat into their shell thinking of playing it safe. What has most often happened is they come back ready to strike out in a new direction.

gabriella chieffo

Gabriella Chieffo

Another component of this is these young brands having a continuing relationship with a perfumer or couple of perfumers. When it comes together both the creative direction and the nose begin to form a working relationship which hopefully leads to something great. At Esxence 2016 one of those moments came to fruition with the release of Gabriella Chieffo Maisia.

maisia image

Gabriella Chieffo started her eponymous brand in 2014 with four releases. She would follow that up with two more the following year. Maisia is the first release for 2016. Through all seven fragrances she has been collaborating with perfumer Luca Maffei. Sig.ra Chieffo has a very distinctive vision which she entrusts Sig. Maffei to realize. Maisia is the first of a new series where Sig.ra Chieffo wants to create perfumes of shadow and light. That is an easy concept to articulate. Difficult to achieve. For Maisia, Sig.ra Chieffo envisioned a young woman accused of being a witch being burned at the stake. The inspiration photograph above is another interesting bit of information for Sig. Maffei to use as he went about composing Maisia.

luca maffei

Luca Maffei

Maisia is simply a fig fragrance with that fruit representing our unjustly accused sorceress. She is singed by the fire of spices. Then in the base she is redeemed as her beauty arises from the ashes as a shadow.

Maisia opens on bright lemon matched with green fig leaves. The fig leaves carry mostly green qualities but underneath it all is a bit of the creaminess of the wood of the tree itself. The lemon provides the last of the light before shadows rise. For the rest of the development the keynote is a slightly overripe fig. Early on it picks up some of the fig leaves. Then a heated spicy accord envelops the fig. It figuratively burns it as the they overwhelm the fig for a bit of time. As the spices recede the fig is left behind, a ghost of itself. Then come the moment where Maisia becomes shadowy. Sig. Maffei uses broom and narcissus to bring back to life the incinerated beauty. The difference is the broom provides a dried out dead grass quality. The narcissus provides a transitional beauty note to go along with what remains of the fig.

Maisia has 10-12 hour longevity and average sillage.

If you are a fan of fig perfumes Maisia should be on your list to try. The base accord is something unique worth seeing if you like it as much as I do. If you are a fan of precocious young talent and brands Maisia needs to be embraced so more of this kind of perfumery is encouraged. Sig. Maffei has transformed the beauty of fig into ashy shadows. It is a gorgeous trip.

Disclosure: This review was based on a sample provided by Gabriella Chieffo at Esxence 2016.

Mark Behnke

Colognoisseur Esxence 2016 Final Wrap-Up Part 2- The Top 10 New Fragrances I Tried

This year Esxence 2016 was bigger than ever. As a result, I felt like I was constantly running around trying to get to everything new. I tried 103 new perfumes over the three days. I’m almost certain I left some unsniffed. I’ve spent the 48 hours since being home giving a few of them a second sniff without being in an exposition hall full of fragrance. The list below carries the usual caveats. These are the ten fragrances new to me. There were some premieres, like Olfactive Studio Still Life in Rio, that would have made the list if I had experienced it for the first time at Esxence 2016. The other thing to remember is these are snap impressions off of smelling on strips and having them on a small patches of skin. Here is my list in alphabetical order.

Bruno Acampora Azzurro di Capri– I have been surprised at how much I have been drawn to new aquatics after ignoring the class over the past few years. Azzurro di Capri has all the reasons I have come to reconsider the category. It is at first a typical Mediterranean riff of citrus and jasmine. When it arrives at the musk, patchouli, and amber base this all gains some presence which I found very appealing.

Gabriella Chieffo Maisia– I think a good fig perfume will always capture my attention. Maisia is much better than good. Using fig leaves as green contrast to lemon in the top notes it is in the heart where the fleshy fig bursts to life swathed in spices. What really makes Maisia stand out is the use of broom and narcissus which twist the fig beautifully.

Homoelegans Quality of Flesh– One of two new brands which made a big impression on me. Quality of Flesh is inspired by Francis Bacon. Perfumer Michele Marin composed this as a triptych of triptychs to represent Mr. Bacon’s artistic style. The central note of the top, heart, and base are juniper berry, narcissus, and leather. This has only gotten better the more time I have spent with it.

Le-Galion-Cologne-and-Cologne-Nocturne

Le Galion Cologne Nocturne– My most anticipated perfume of Esxence 2016 did not let me down. Perfumer Rodrigo Flores-Roux working in collaboration with creative director Nicolas Chabot created a cologne for the evening. What Sr. Flores-Roux has dubbed an “amber water”. It is a fascinating construction which surrounds traditional cologne components with an overload of wood and amber. I love the way this develops on my skin.

Maria Candida Gentile Rrose Selavy– Following up the unique Elephants & Roses perfumer Maria Candida Gentile delivers a densely layered rose. Dedicated to Marcel Duchamp, RRose selavy does not suffer that comparison. Every part of the plant is represented and there are multiple different extracts of the flower itself. If you can’t get enough rose in your perfume Rrose Selavy might be your new favorite.

Masque Milano L’Attesa– The creative team behind Masque Milano, Alessandro Brun and Riccardo Tedeschi, have been giving some of the most creative young perfumers an opportunity to impress. Luca Maffei is the perfumer for L’Attesa. He uses three extracts of iris to elongate its development from first moments until the last. What shows his originality is a fermenting champagne accord. This has a yeasty sour wine aspect which is much better in conjunction with the iris than it might be sound. The key to creating the champagne accord, CO2 extract of beer. Masque Milano is becoming a reliable brand encompassing originality and quality.

Mendittorosa Nettuno– Last year I hit this brand late in the day and did not give it a proper assessment in my rush. This year I stopped by when I had time to chat with creative director Stefania Squeglia. Working with perfumer Amelie Bourgeois again Nettuno is an otherworldly paean to the planet Neptune. I enjoyed the slight chill it opens with before warming up considerably as it folds in leather and rum. This is before bringing the chill back with some white musks in the base.

Nishane Istanbul Fan Your Flames– If you’ve ever wanted a perfume to capture a day smoking tobacco, holding a snifter of fine rum Fan your Flames is it. Creative directors Mert Guzel and Murat Katran have captured their desired shisha experience in this opulent perfume.

Sammarco Bond-T– I’ve been chronicling the lighter gourmands coming out in 2016. It was a pleasure to find a new brand going for an old fashioned deep chocolate gourmand. Owner and perfumer Giovanni Sammarco rolls out a 70% Cacao dark chocolate bar infused with osmanthus. I enjoyed the fearless intensity with which Sig. Sammarco composed Bond-T with.

The Different Company Adjatay– Last alphabetically but first on my list as best in show Adjatay’s brief came from a real life moment from creative director Luc Gabriel. After returning from a trip he left some tuberose flowers in an old leather suitcase. When he returned to it he realized he wanted perfumer Alexandra Monet to capture that smell. Mme Monet has made a mesmerizing perfume of tuberose encased in leather refined and roughened as a well-used suitcase should be. Her leather accord is just right to ensnare the boisterous tuberose. The more I wear it the more I fall under its spell.

This concludes my coverage of Esxence 2016. Longer reviews of everything on the list are forthcoming as well as many others not mentioned here. Thank you for following along the last few days on Colognoissuer.

Mark Behnke