New Perfume Review Olfactive Studio Still Life in Rio- Past, Present, and Future

Olfactive Studio had one of the best creative years in its short existence in 2015. Creative Director and owner Celine Verleure took chances which worked with Panorama and Selfie. I wondered what 2016 would bring. The first part of that answer comes in the new release Still Life in Rio.


Celine Verleure

Still Life in Rio is sort of a sequel/flanker to one of the original three Olfactive Studio releases, Still Life. The same perfumer Dora Baghriche is back to compose this ninth release for the brand. Bu using Mme Baghriche again Mme Verleure allows for a sense of evolution to be displayed as you move from Still Life to Still Life in Rio.

os still life in rio photo

Photo by Flavio Veloso

Another hall mark of the brand is the use of a photograph as the brief for the perfume. For Still Life in Rio she uses the photo above by Brazilian photographer Flavio Veloso. The picture is taken from one of the viewing platforms around the large statue of Christ atop Corcovado looking towards the other symbolic mountain of Rio, Sugarloaf. Sr. Veloso captures a moment in time where the golden sunlight is captured in the remaining fog of the night. That burnished radiance in the photo is evident throughout the development of Still Life in Rio.

dora baghriche

Dora Baghriche

Still Life in Rio begins with a nod back to the original. Mme Bachriche again uses yuzu mixed with black pepper and pink pepper. The final ingredient is a hot pepper. In Still Life it was Szechuan Pepper. Still Life in Rio uses Jamaican Hot Pepper. There is a difference where the Szechuan pepper simmers with heat; the Jamaican version adds an acidic contrast to the citric nature of the yuzu. I like the new version of the opening it is much more lively with the addition of the Jamaican pepper. Ginger emphasizes the new pizazz. The movement into the heart is rum and coconut water. If you have ever visited Rio there are whole coconuts which are opened and poured over ice beachside. In Still Life in Rio Mme Baghriche uses it as a way to lighten up the rum while softening it a bit. Copaiba matched with a soft white leather accord impart more of that misty golden quality seen in the photographic inspiration. The copaiba balsam along with the leather accord is such a deeply satisfying conclusion I always let out a sigh when the last of it faded away.

Still Life in Rio has 12-14 hour longevity and average sillage.

I liked the nods back to Mme Baghriche’s Still Life throughout Still Life in Rio. It reminds me how assured Mme Verleure has come to know her audience and its willingness to follow in new directions. Still Life in Rio is a golden riff on the past while promising more of the same for the future.

Disclosure: This review was based on a bottle provided by Olfactive Studio.

Mark Behnke