My Favorite Things: Chestnut

It isn’t Christmas without Nat King Cole singing “Chestnuts roasting on an open fire.” If you’re walking in New York City the smell of roasting chestnuts from the street vendors is part of the cold weather milieu. When it comes to chestnut being a keynote in a fragrance there are not a lot of them. Although I do have five which can be my scented companion to the smooth vocals of Mr. Cole.

There are two chestnuts roasting perfumes on this list. The first is Maison Martin Margiela Replica: By The Fireplace. Perfumer Marie Salamagne keeps the cade wood smoke to a minimum while weaving a cozy accord of chestnut warmed with clove and vanilla. It comes together as a fragrance equivalent of a snuggly cashmere blanket.

The other one is DSH Perfumes Chataignes du Bois which was Dawn Spencer Hurwitz’s Holiday perfume in 2017. She produced a full-spectrum chestnut effect as she combined multiple sources to form an uber-chestnut accord. What endears it to me is there is a burnt sugar accord underneath it all which takes me back to winter nights running around NYC.

Perfumer Bertrand Duchaufour has used chestnut in two different perfumes for L’Artisan Parfumeur.

Mechant Loup was one of M. Duchaufour’s earliest perfumes for the brand in 1997. The core of this perfume is a nutty accord of chestnut and hazelnut coated in honey. It was one of the first nutty perfumes I fell for although I was resistant to its charms at first. The nuts and honey are powerful but if you give it time a gorgeous use of myrrh turns the Big Bad Wolf into a puppy.

Twenty years later M. Duchaufour returned to chestnut with Noir Exquis. Meant to capture a café encounter in Paris over coffee and pastries the chestnut is candied to represent the baked goods. The coffee is nicely realized. What makes this different is his use of a maple syrup accord which makes it all sweeter than I expected. There are days I want to slow down for a pastry and a coffee, Noir Exquis allows me to do it in a decaffeinated low-calorie way.

Etat Libre D’Orange Fat Electrician is the most interesting use of chestnut in a perfume. Perfumer Antoine Maisondieu wanted this to be a different interpretation of vetiver. To achieve that he used chestnut to amplify the nutty facets of vetiver. This is one of my favorite vetiver perfumes because of how successful he was. He takes that nuttier vetiver and wraps it in vanilla and myrrh for a completely unique vetiver fragrance because of the chestnut.

If you want some chestnuts on your skin instead of the fire these five will do the job.

Disclosure: This review is based on bottles I purchased.

Mark Behnke

Etat Libre d’Orange 101- Five to Get You Started

One of the perfume lines which lives up to the ideals behind niche perfumery is Etat Libre d’Orange. There is almost no other niche brand which so fearlessly pushes the boundaries. Owner and creative director Etienne de Swardt is audacious in the perfumes he oversees for his label. Right from the first eleven fragrances released in the fall of 2006 he laid down a marker that Etat Libre d’Orange was going to be very different. In those first releases is the perfume widely regarded as the worst smelling perfume ever, Secretions Magnifiques. Just do a search and you will see videos of people pulling horrified faces and blog or forum posts plumbing new depths of verbiage trying to describe the experience. I, personally, think it is a masterpiece of perfumery but it is really only for those ready to approach it on its own terms instead of as a rite of passage.

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Etienne de Swardt

Because of Secretions Magnifiques there are many who are wary of exploring the other fragrances in the line and that is a shame because I believe Etat Libre d’Orange is one of the best niche lines on the market. There is not a boring fragrance in the collection and many of them are exciting for the singularity of their existence. If you’ve been wanting to give Etat Libre d’Orange a try and want to sort of slowly expose yourself to the aesthetic and attitude of the line I have five suggestions which might make things a little easier.

Fat Electrician was released in 2009 and was composed by perfumer Antoine Maisondieu. M. Maisondieu created a fantastically nutty vetiver by combining chestnut cream with the vetiver. It is bracketed by fulsome olive leaves on top and sweetly resinous myrrh and opoponax in the base. This is vetiver given a new twist.

Fils de Dieu was released in 2012 by perfume Ralf Schwieger. Hr. Schwieger created a Technicolor fragrance which pays homage to all things Southeast Asian. It percolates early with a palpable humidity which contains lime, ginger, shiso, cardamom, coconut and rice. By the end it turns into a sensual accord of leather, vetiver, and castoreum. One of my top 5 new fragrances in 2012.

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Like This was released in 2010 by perfumer Mathilde Bijaoui. Like This was Tilda Swinton’s celebuscent and she chose to collaborate with Etat Libre d’Orange. If every celebrity labeled fragrance was as good as Like This that segment of the market would be less looked down upon. Mme Bijaoui uses immortelle as the core of Like This and then proceeds to swaddle it in layers of ginger, tangerine, neroli, pumpkin, vetiver, and musk. This all comes together gloriously and Like This has been my Thanksgiving fragrance for the last three years.

Noel au Balcon was released in 2007 also by Antoine Maisondieu. Based on the name this is supposed to be for the Holiday Season but I wear it year-round because it is an easy to wear honey focused fragrance. M. Maisondieu uses the honey as a matrix to trap apricot and tangerine along with labdanum and cinnamon. It all eventually releases to vanilla, vetiver, and musk base.

Rien was released in 2006 by perfumer Antoine Lie. Of all of the very challenging Etat Libre d’Orange fragrances I think Rien is the most approachable. M. Lie created a dynamic intense fragrance which starts with the fizz of aldehydes which reveal a cumin and pepper-laced rose before ending on a leather and frankincense base. It is sharp and piquant and resinous and animalic and completely gorgeous. Of all of the first releases it was Rien which really sealed my enjoyment of the line.

M. de Swardt has a very arch sense of humor which plays itself out over the labels and names of the fragrances but if you can put aside your wariness because of Secretions Magnifiques and your raised eyebrows at the names and imagery an exploration of Etat Libre d’Orange is as good as it gets in niche perfume.

Disclosure: This review is based on bottles of these perfumes that I purchased.

Mark Behnke